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Boom mics

Sennheiser MKH 418 1800i

1 day:	1 800i
from 3 days:	1 620i
from 14 days:	1 350i
from 30 days:	1 260i
from 6 days:	1 260i

Neumann KMR 82 I 1600i

1 day:	1 600i
from 3 days:	1 440i
from 14 days:	1 200i
from 30 days:	1 120i
from 6 days:	1 120i

Sennheiser MKH-416 1300i

1 day:	1 300i
from 3 days:	1 170i
from 14 days:	975i
from 30 days:	910i
from 6 days:	910i

Shure SM7B 1000i

1 day:	1 000i
from 3 days:	900i
from 14 days:	750i
from 30 days:	700i
from 6 days:	700i

Rode NTG4+ with built-in battery 600i

1 day:	600i
from 3 days:	540i
from 14 days:	450i
from 30 days:	420i
from 6 days:	420i

Sennheiser mke 400 v.2 600i

1 day:	600i
from 3 days:	540i
from 14 days:	450i
from 30 days:	420i
from 6 days:	420i

Sennheiser MKE-400 500i

1 day:	500i
from 3 days:	450i
from 14 days:	375i
from 30 days:	350i
from 6 days:	350i

Sennheiser MKE-400 mini XLR 500i

1 day:	500i
from 3 days:	450i
from 14 days:	375i
from 30 days:	350i
from 6 days:	350i

Audio-Technica 400i

1 day:	400i
from 3 days:	360i
from 14 days:	300i
from 30 days:	280i
from 6 days:	280i

Rode SVM 400i

1 day:	400i
from 3 days:	360i
from 14 days:	300i
from 30 days:	280i
from 6 days:	280i

Rode Videomic Go II 350i

1 day:	350i
from 3 days:	315i
from 14 days:	263i
from 30 days:	245i
from 6 days:	245i

What is it and why is it necessary?

The internal microphone of the camera is usually an omnidirectional microphone of low quality that catches all the sounds that surround you - both necessary and not needed. Not the best option for professional dubbing of films ... Therefore, in this subcategory we live - Boom microphones "Microphones-guns". They are directional and catch a sound that sounds strictly ahead, discarding sounds that sound on the sides. Thanks to this, the boom mics are most suitable for most filming in the film industry.

The features of directional microphones include:

High sensitivity in the direction of the microphone
Most have high pass filtering

Also, the boom mic is convenient to use: it can be connected directly to the camera or to an audio recorder, and give it to a sound engineer who will keep it just above the frame border. On-camera directional "microphone-gun", usually used in sequential shooting.

Although it is worth noting that if possible, it is much better to bring the microphone from the camera closer to the object: on a stand or, if there is an assistant, on a microphone fishing rod. An assistant stands with her, trying to hold the microphone so that it is as close to the character being shot, but does not get into the frame. This option requires an assistant, fishing rod and many meters of good audio cable, so it is not very popular among fans. There are others: for example, if there is a presentation at the department, then the cannon can be put on it. You can combine the gun with the radio system. Boom mic are used in cinema, on television, in music studios - this is a very, very versatile type of microphone.

Some boom mic are phantom powered, while others are mainly powered by 9V crown. Phantom power eats up the charge on your camera and makes the microphone's design and weight easier.

Description

Represented brands in Moscow:

RØDE
Sennheiser
Audio technica
Azden
Sony

Sports, reporting, broadcasting - the Sennheiser cannon microphone is exactly what you need. All models feature simple controls and very low inherent noise. So you will catch all the sounds that you and your audience might otherwise lose.

RØDE has many cannon microphones, including the popular VideoMic series of on-camera microphones, as well as their NTG gun microphones for higher-level sound recordings.

1 day:	250i
from 3 days:	225i
from 14 days:	188i
from 30 days:	175i
from 6 days:	175i