Rent Zoom F8n Multi-Track Field Recorder in Moscow
- 8 x XLR/TRS Combo Jacks with +75 dB Gain
- Up to 192 kHz/ 24-Bit PCM Recording
- Record up to 10 Tracks Simultaneously
- Look-Ahead Limiters Eliminate Clipping ...
- 8 x XLR/TRS Combo Jacks with +75 dB Gain
- Up to 192 kHz/ 24-Bit PCM Recording
- Record up to 10 Tracks Simultaneously
- Look-Ahead Limiters Eliminate Clipping
- Zoom AutoMix: Automatic Level Adjustment
- 2 x SD Card Slots
-
1 shift
1200 i
shift
-
3 shift
3240 i
1080i / shift
-
14 shift
12600 i
900i / shift
-
30 shift
25200 i
840i / shift
-
6 hours
840 i
half shift
Enter a value between 1 and 60
Recorder
- Number of recording channels
- -
- -
Primary input
- Connector type
- Number of XLR / TRS
- 8
- Input impedance
- 2 Ω
- Equivalent input noise
- -127 дБ или менее (А-взвешенный, входное усиление +75дБ, 150 Ом)
- -
- от +10 до +75 дБ
- -
- +24 dBu
Line In
- Input impedance
- 2.6 Ω
- -
- от -10 до +55 дБ
- -
- +24 dB (SPL) max.
Storage
- Memory Card Type
- SD SDHC SDXC
Power
- Battery
- AA
- Power consumption
- 15 W
- Power Requirement
Input and Output
- DATA
Physical
- Width
- 178 mm
- Length
- 140 mm
- Height
- 54 mm
- Weight (kg)
- 1 kg
The Zoom F8n Multi-Track Field Recorder is designed for professional and enthusiast recording applications on set and in the field, including music, filmmaking, and electronics news gathering (ENG). Designed to be carried by a shoulder strap or in a bag, the unit features eight analog input channels with XLR/TRS combo jacks that provide +75 dB maximum input gain, and support for line-level inputs. It can record up to 10 tracks simultaneously (channels 1 through 8 plus a stereo mix), or up to eight channels when recording at the A/D converter's maximum 24-bit 192 kHz resolution.
The Zoom F8n boasts options like Zoom's AutoMix, which automatically adjusts the levels to reduce ambient sound, ensuring a clean and well-captured sound. If you're working on a one- to four-track project, you can utilize dual-channel recording to create safety tracks. Capture signal loudly with one, and have the other set to low gains as a backup should the louder mic feel over-saturated from too much level.
